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1993 - Year in SF&F: Reviews



THE WONDER TIMELINE: SF&F RETROSPECTIVE
Read other issues here

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William Gibson
"Virtual Light" (nv)
(Sprawl Series)
(exp from "Skinner's Room")
© 1993, Bantams Spectra / Gollancz
© OMNI, Nov 1991

--novel : 1994 Hugo
--sf novel : 1994 Locus /4
--long-form, English : 1994 Aurora
--long-form, English : 1995 Aurora W
--international novel : 1995 Italia /2

--/ third place sf novel
--/ wonder award
--/ style award
--/ idea award
--/ adventure award


It's interesting that after he finished his masterpiece Sprawl Trilogy of Neuromancer, Count Zero, and Mona Lisa Overdrive, Gibson – the master not only of cyberpunk but of postmodern literature as well – would step back in time but remain in the future to write Virtual Light, the first of another three-part series, the so-called Bridge Trilogy.

Interesting, because Virtual Light is a fine and at times brilliant book that owes very little to science fiction, even though it has some elements in common. Set in a very near future, it follows the adventures of bike messenger Chevette Washington and disgraced cop Berry Rydell, who get caught up in a McGuffin chase when Washington impulsively steals a pair of special, high tech glasses. Their chase takes them all over California, most fascinatingly to a squatter city built in the decaying spine of San Francisco's Bay Bridge. Darkly comic, the novel has all of Gibson's trademark vividness and wickedly cool language but is much more of a noir novel with some surreal/science fiction elements than the ferociously dark and vicious Sprawl books.

Because of this, it's a much lighter and almost refreshing read, which threw a lot of Gibson's previous readers who may have been expecting something with a sharper edge. Still, when taken on its own or as part of the other Bridge books, Virtual Light remains a work by a master – a master who successfully took a different direction with a wonderful new book.
Review by M. Christian

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